Free Download The Photographer : Female Domination, Forced Feminization, BDSM & Male ChastityBy Maia Anne Fisher

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The Photographer : Female Domination, Forced Feminization, BDSM & Male ChastityBy Maia Anne Fisher

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Female Domination, Forced Feminization, Male Chastity, Humiliation, Bondage, Discipline, Pegging, Strap-on play, all with dubious consent.
This story revisits the lovely 'Sadistic Sadie' from 'Human Dog : Puppy Play Erotica'. David is in town to sign on, he calls for a pint while he's there and gets mocked for being a 'dole dosser' by a beautiful female photographer who joins him at the bar. He claims he wants to work and that he'd take anything that was offered to him, what he didn't realize was that he was about to be offered a job a model for fetish, BDSM, female domination and Forced Feminization photographs. After being more or less bullied into agreeing to it he finds himself driven to her studio only to be directed into performing humiliating acts for her camera, cross-dressing and acting quite the sissy. At the end of the shoot, he's ended up locked into a severe and cruel 'Kali's Teeth Bracelet' or KTB chastity device, which prevents erections and playing with himself. His dominant photographer has taken a shine to him though and though she doesn't have the key to his device, offers for him to stay for a while afterwards. His treatment as a submissive and her constant verbal humiliation of him has a profound effect on him, making him more and more submissive. When he gets home that night, still locked firmly in the KTB chastity device and partially feminized, he finds his sister taking advantage of his situation and humiliating him further.

The next day, he begins by being further feminized at the Beautician's and then finds the mysterious, dominant girl he saw leading a guy out of the 'Highway Man' the previous week is going to be the female model dominating him. Just when things couldn't get any worse he finds himself on the receiving end of severe corporal punishment, in the shape of spanking and caning for the camera, then he gets the full forced feminization treatment as he's turned into a submissive, chaste, sissy maid. The final insult comes when Sadie violates him for the camera, giving him a pegging whilst feminized and in chastity that he will never forget.

At the end of the shoot, Helen has enjoyed using him as both her model and sissy slave she offers him a choice, take the royalty payments and go, or become her live-in, chaste sissy maid and fetish photography model.

Warning this work contains elements of:-
Femdom
Female Domination
Forced Feminization
Male Chastity (Kali's Teeth Bracelet Chastity Device)
Bondage & Restraints
Forced Feminization
Sissification
Cross-Dressing
Corporal Punishment (Caning and Over-the-knee Spanking)
Pegging
Slavery
Sissy Maid
Orgasm Denial
Forced Oral
Black Mail

This is NOT intended to be realistic, please only buy if you are not likely to be offended and if it is legal to purchase in your country of residence. I do not condone any of the acts portrayed in this story.

Also by the same author:-

Human Dog : Puppy Play Erotica
Femdom & Extreme BDSM : A Night to Remember, A Life Dismantled

• Sales Rank: #555364 in eBooks
• Published on: 2013-10-25
• Released on: 2013-10-25
• Format: Kindle eBook

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Download Ebook What Is Paleolithic Art?: Cave Paintings and the Dawn of Human CreativityBy Jean Clottes

Download Ebook What Is Paleolithic Art?: Cave Paintings and the Dawn of Human CreativityBy Jean Clottes

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Was it a trick of the light that drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the heads of lions, likenesses of bison, horses, and aurochs in the reliefs of the walls, as they flickered by firelight? Or was it something deeper—a creative impulse, a spiritual dawn, a shamanistic conception of the world efflorescing in the dark, dank spaces beneath the surface of the earth where the spirits were literally at hand?

In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to this “why” of Paleolithic art. While other books focus on particular sites and surveys, Clottes’s work is a contemplative journey across the world, a personal reflection on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal, by firelight, how we think, why we create, why we believe, and who we are.

• Sales Rank: #77736 in Books
• Published on: 2016-04-19
• Released on: 2016-04-12
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .70" w x 6.00" l, .0 pounds
• Binding: Paperback
• 208 pages

Review
“Subtle, imaginative, and brilliantly accomplished, the images of animals and humans found in caves and dated from the end of the last Ice Age, between 40,000 and 10,000 years ago, continue to astonish us. The emotions and motives that inspired them beg to be understood. In What is Paleolithic Art?, Clottes, the renowned cave- and rock-art specialist, suggests some answers. . . . This is a thought-provoking book about complex societies that endeavored to understand the world in their own various ways. For anyone interested in Ice Age art, Clottes’s enthusiasm cannot fail to energize, inspire, and provide caution to their own investigations.” (Jill Cook, British Museum Nature)

“What gives this art its power, Clottes says, is that it makes us dream.” (New York Times)

“It is shamanism that, according to Clottes, is the key to understanding the Paleolithic practices of what he calls Homo spiritualis, who chose to descend into the underworld, seek a trance state, and enter into contact with spirits.” (Le Monde, on the French edition)

“Clottes has been looking at and thinking about the cave paintings of ice age Europe for almost half a century. I can’t imagine anyone has a greater knowledge about the paintings, carvings, sculptures, and their associated archaeology than this great prehistorian. It’s not just greater knowledge, but an emotional response: I’ve seen tears come into his eyes as he was describing a painting that he must have seen and talked about many times before, and that still tugged at his heart as much as his brain. Clottes’s enormous depth of learning and affection emanate from every page of this book.” (Steven Mithen, University of Reading New Scientist)

“Clottes explores why prehistoric people took to cave painting and speculates on what the art means.” (Jeremy Mikula Chicago Tribune, Printers Row)

“The deep understanding, love, and empathy that Clottes has for the art, imagination, and spiritual world of our Ice Age ancestors is so great that this book is a must-read.” (Lawrence Guy Strauss, University of New Mexico Journal of Anthropological Research, on the French edition)

“Clottes is the leading Paleolithic archaeologist and perhaps the most famous archaeologist in the world. This alone makes What Is Paleolithic Art? noteworthy. But the topic is also one that generates interest beyond the archaeological profession, especially inasmuch as his expansive discussion emphasizes shamanism as the likely origin for this art, and partly bases this conclusion on comparisons and analogies with ethnographic cases. . . . Very readable and appealing.” (David S. Whitley, author of "Cave Paintings and the Human Spirit: The Origin of Creativity and Belief")

“Clottes has probably seen more rock art around the world than anyone else, and this gives him an unusually broad perspective on the questions raised by the prehistoric cave art of his native France. Not everyone agrees with the shamanistic interpretations toward which he leans, but this very accessible discussion of both French cave art specifically and of rock art in general is wide-ranging, and his is certainly a point of view which anyone interested in Paleolithic art should know about.” (Ian Tattersall, author of "The Strange Case of the Rickety Cossack and Other Cautionary Tales from Human Evolution")

About the Author
Jean Clottes is a prominent French archaeologist and former general inspector for archaeology and scientific advisor for prehistoric art at the French Ministry of Culture. He is the author of Cave Art, among other books. Oliver Y. Martin is a lecturer in the Department of Environmental Systems Science at ETH Zurich, Switzerland. Robert D. Martin is curator emeritus in the Integrative Research Center at the Field Museum, Chicago.

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Free Download Seventeen

Free Download Seventeen

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Seventeen

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Audible Audiobook

Listening Length: 8 hours and 9 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Spoken Realms

Audible.com Release Date: March 7, 2019

Whispersync for Voice: Ready

Language: English, English

ASIN: B07PDN1TWL

Amazon Best Sellers Rank:

Because of the time setting, some may feel this book is outdated, but the picture it paints of the miseries of a teenaged boy (who wants to appear grown-up and to attract a particular new girl in the neighborhood) is timeless. Thwarted by his parents, who 'cannot understand him,' and ridiculed by his little sister, he finds humiliation and frustration at every turn. The writing is full of humor.One of my favorite passages is the one describing the fifty-year-old Mr. Parcher when he is an unwilling eavesdropper on that boy and the girl (who pretty much speaks only baby-talk) discussing "real love" ad nauseum. He tries, unsuccessfully, to keep reading Plutarch's Lives, and finally goes to bed, only to hear, now, several teenagers singing about love, his bed being only about 18 feet away from the porch where they are enjoying themselves:"Long, long he tossed, listening to the young voices singing of love; long, long he thought of love, and many, many times he spoke of it aloud, though he was alone in the room. And in thus speaking of it, he would give utterance to phrases and words probably never before used in connection with love since the world began." (That is, he swore mightily.)If you read this book, which I hope many will do, you must by no means skip ahead to the last page. The ending is quite delightful and best read as a surprise.

Amusing and timeless story but I would have enjoyed it more if the text in this edition had not been so tiny! I'm not kidding- I think the font size was 6. And I do wear reading glasses and even with good lighting it was a struggle.

An old favorite of mine, a great story full of comedy and human warmth. However, the volume I bought, published by CreateSpace Independent Publishing Platform, was cheaply made, with print so small that the entire book is condensed to 83 pages. (There are three blank, or almost blank pages at the end, making a total of 86 pages.) If I were reviewing the physical volume, I would award it only one star.

First read this in my 20's after I saw a letter from EB White recommending it for the teenage daughter of a friend. I remember wishing then I had read it during my adolescent misery. Forty years later I still think Tarkington captures the universality of teenage angst -too bad he has become one of our forgotten treasures.

Format is so bad as to be unreadable. I'm only 30 but the type was so small I gave up. And it's not like this is a long book. Waste of money.

I first read this book when I was 17 and was taken with the humor. Now, having reread it, I see the elements that were background to Booth Tarkington's time, including casual racism and use of the "N" word.It remains an entertaining, occasionally hilarious, story of an innocent time when teens idealized their crushes. It would be interesting to see what contemporary high schoolers think of it.

print job was unreadable. filed for refund

I read this book in high school, and I still remember being completely drawn into, and consumed by the summer heat, and a woolen suit. That's nostalgia.

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